Unit 4 Flashcards

1
Q

Impressionism

A

Radical painting style that emerged in Paris in the 1860’s.

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2
Q

Expressionism in Music

A

Early 20th-century German style. Marked by extreme dissonance, angular melodies, irregular rhythmic groupings. Explored deeply psychological themes. For example, Erwartung, op. 17, Arnold Schoenberg.

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3
Q

Impressionism was fascinated with the play of light…

A

On subject matter.

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4
Q

Neo-Classicism

A

A post-World War I style marked by a return to absolute music and traditional formal structures. Cultivated a less emotional (more detached) sensibility. For example, Symphony No. 1, op. 25 (“Classical”), first movement, Sergei Prokofiev.

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5
Q

Jazz

A

A uniquely American musical style developed initially by African Americans in New Orleans, Chicago, and New York. Emphasized syncopation, inflected melodies (including “blue” notes: ♭3, ♭5, and ♭7) and improvisation. For example, West End Blues, Louis Armstrong.

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6
Q

Expressionism is exemplified in the works of…

A

Edvard Munch, Wassily Kandinsky, Oskar Kokoschka, Egon Schiele.

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7
Q

What kind of colour and painting techniques were experimented with in Impressionism?

A

Visible brushstrokes were favoured.

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8
Q

Minimalism in Music

A

A style of music that evolved in the latter half of the 20th century. Generally characterized by the seemingly endless repetition of short melodic patterns, complex cross-rhythms, and a return to tonal/modal principles. Its adherents include Steve Reich, Philip Glass, John Adams, and Michael Nyman. For example, Glassworks, Philip Glass.

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9
Q

Primitivism

A

A late 19th-century European artistic movement that drew its inspiration from non-Western sources, in particular tribal art and artifacts. An elemental, primal energy achieved through abstraction and use of geometric designs.

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10
Q

Second Viennese School

A

The triumvirate of early 20th-century composers formed by Schoenberg and his disciples Alban Berg and Anton Webern. Works demonstrate Expressionism. Developed the twelve-tone method. Their music was marked by atonality and contrapuntal textures. For example, Violin Concero, first movement, Alban Berg.

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11
Q

Expressionism

A

German art movement of the late 19th and early 20th century in which artists depicted subjective emotions, focusing on human conditions as far (angst), trauma, obsession.

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12
Q

Neo-Romanticism

A

Generally, a late 20th-century style that marked the return to tonal principles, lush orchestration, and expansive melodies. Characterized by heightened emotionalism. Example, Adagio for Strings, op. 11, Samuel Barber.

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13
Q

Pop art is closely identified with the works of…

A

Andy Warhol, Roy Lichenstein, Robert Rauschenberg, Jasper Johns.

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14
Q

Impressionism in Music

A

Late 19th- and early 20th-century French style associated most closely with the music of Claude Debussy and Maurice Ravel. Often programmatic, use of non-traditional scales (modes, whole tone, pentatonic), ninth chords, parallel harmonies, and blurring of the metrical pulse. For example, La cathedral engloutie, Claude Debussy.

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15
Q

Expressionism embraced distortion, exaggeration, angularity, and muted use of colour. True or false?

A

False, Expressionism embraced distortion, exaggeration, angularity, and bold use of colour.

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16
Q

Pop Art

A

An American art movement first developed in the late 1950’s. Drew inspiration from popular culture (television, comic books, everyday items). Often playful, ironic, banal, even kitschy.

17
Q

Minimalism is championed in the works of…

A

Donald Judd, Frank Stella, Dan Flavin, Mark Rothko.

18
Q

Impressionism is exemplified in the works of…

A

Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Georgas Seurat, and Vincent van Gogh.

19
Q

Indeterminacy

A

Also called aleatoric music. A style that evolved in the mid-20th century. Relied on randomness and chance to determine some of the aspects of the music and its performance. For example, Venetian Games, Witold Lutoslawski.

20
Q

Minimalism

A

An art style that emerged in NYC in the 1960’s. Marked by stark abstraction, geometric elements. Viewer’s attention is drawn to the juxtaposition of shapes and colours.

21
Q

Post-Romanticism

A

Late Romantic characteristics extended into the 20th century. Expansive melodies, chromatic harmonies, lush orchestrations, affinity for programmatic elements. For example, Der Rosenkabalier, final trio, Richard Strauss.

22
Q

Electronic Music

A

Any type of music created whole or in part by electronic means. May utilize recording devices (tape recorder), synthesizers, and more recently, computers. For example, Philomela, Milton Babbitt.

23
Q

Post Modernism

A

A mid- to late-20th century architectural movement. It reacted against the pared-down style of the 1920 modernists, represented by the Bauhaus school. Saw a return of ornamentalism (use of columns, pediments, arcades).

24
Q

Primitivism is exemplified in the works of…

A

Paul Gauguin, (early) Pablo Picasso.

25
Q

Atonality

A

Music that has no tonal centre, no sense of key. For example, Five Pieces for Orchestra, op. 16, first movement (“Premonitions”), Arnold Schoenberg.

26
Q

Impressionism rejected formal portraiture in favour of…

A

Everyday scenes, nature.

27
Q

Leaders of the Post-Modernist movement include…

A

Michael Graves, Philip Johnson, Robert Venturi.

28
Q

Serialism

A

A compositional approach developed in the 20th-century by the Second Viennese School. Any number of musical parameters (such as pitch, rhythm, dynamics, tone colour) are organized using a specific ordering (set) hat undergoes manipulation. Sometimes used as a synonym for dodecaphonic (or twelve-tone) music. For example, Le martial sans maitre, Pierre Boulez.