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Flashcards in Storytelling and memory theme Deck (20)
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1
Q

structure

A

is characterised by many different kinds of storytelling and fiction-making

2
Q

Historical Notes on the Handmaid’s Tale

A

frames the entire novel as Offred’s story, that she’s said into a tape recorder in the old-fashioned storytelling tradition

3
Q

Aunt Lydia’s Lessons

A

punctuate her story as the novel continues

4
Q

flashbacks

A

her flashbacks can be triggered by the slightest impression and they occur so frequently through the novel, that it seems like Offred lives in several worlds’s

5
Q

tenses

A

adding to the overlap of the past and present, the tenses are always shifting, with some memories in the past tense and some in the present

6
Q

Offred’s fiction

A

she constantly makes up fictions. She’s often filled with questions

she keeps several stories in her mind at once- seen in her imaginings of Luke’s fate: dead, imprisoned or maybe escaped

7
Q

storytelling as a pastime

A

no access to entertainment so makes up events from other people’s points of view, making up what they could be saying or thinking

ex: Aunt Lydia and Janine talking about Moira- her frequent memories of the Aunts show how Gildea has dominated her memories

“I would like to believe this is a story I am telling”

8
Q

repetitive

A

with more stories and memories than current-time actions, the book is profoundly repetitive

like Offred, we are trapped within the echo-chamber of her mind

“I try not to think too much”

9
Q

Offred often uses

A

lengthy sentences which convey the languorous feel

taking her time because she has time to waste

10
Q

Offred maintains her identity

A

through making her record

11
Q

through telling her story

A

Offred learns to see differently from the way she is supposed to, which allows her to see the subversion and cracks in the Gileadean regime

12
Q

effects of Offred decision to see clearly

A

she understands that the visual is vulnerable to manipulation so changes the way she appears to others in order to survive

13
Q

drawing on Lacanian psychoanalytic theory

A

one could perhaps see Atwood’s fragmentary and contradictive narrative as reflecting Offred’s own state of mind

14
Q

function of Historica Notes

A

Offred’s view of Gilead was restricted so it provides the reader with more detail, as well as telling that Gilead hadn’t lasted indefinitely

also told she got near Canadian border, which gives us hope for her escape

15
Q

female narrative

A

Atwood felt that most dystopia had been written by men in the point of view of men

16
Q

link to 1984

A

Newspeak uses the prefix ‘un’ to express the opposite of something - “ungood”

Atwood also uses this - “unbabies” and “unwomen”

17
Q

Aunt Lydia often

A

misrepresents history as a way of justifying Gilead

similar to 1984

18
Q

Gilead often twists language

A

in an attempt to create a new truth - forbids the word “sterile” as a way to eliminate the concept

as Aunt Lydia points out, the next generation will know no other truth than what they are told

19
Q

the Historical Notes

A

undermine her narrative and forces the reader to re-evaluate her “story”

20
Q

called a “tale”

A

and she recorded it in retrospect, which could make us wonder at the truth of her narrative